Monday, February 08, 2010

What's the policy on...

Being a writer is so weird and difficult and strange. Being a freelancer even more so. I've spent the better part of a week gently harassing a magazine that I pitched an idea to in DECEMBER. They said yes and it would run in March. Since then I went ahead, did the interview, wrote the draft, re-pitched as a blanket email went out for pitches and cc:ed everyone else important in case someone else would get back to me. I called the editor who said we'd do it. I emailed. I emailed someone else. And then I emailed all three together and said, hey what's going on with this pitch?

I haven't heard anything back. My friend says go sell it elsewhere. It was my idea and I did all the work. But it feels sleazy to sell it elsewhere. That said, the aforementioned magazine just hasn't gotten back to me, and I think I've been pretty cool about it. I mean, it's over 2 months without a hard deadline and contract. They said they'd make it work but I haven't heard anything for a while. I dunno why they won't get back to me--maybe they want a "more capable" writer to write a longer piece. I don't think it's the content because it's about a topic that is time-sensitive and about a band people really want to read about (plus their album drops right around when the issue would). So I guess I go elsewhere? I mean do I have to tell the first people? And I know this is not important, but why oh why don't people just say "no" in the first place? It would have felt much better to hear a "we're not into your style these days" instead of waiting around like a jackass and promising it to this band and having to call and email and beg for someone just to give me a deadline.

Writing sucks and rejection is involved at every turn. Why I chose it, I'll never know.

Monday, February 01, 2010

Quote of the Day: You Just Got Fresh Princed

Saturday, January 30, 2010

For The Record, I Think The Smell of Axe Deodorant is Hot

I know. I know. But it smells like Drakkar Noir or something, and when I was 12 I thought that hot older guys wore that. That and Cool Water. I'm sorry world. I really think it smells great. Can we not be a civilized people and admit that when we were all tweens, we were drawn to trashy things because they seemed adult, and we had no idea what the hell that was?

Before you rush to judge (okay you already have), check the following article on Jezebel today, about how we navigate deodorant from teens to now. Ladies, if you hate Axe, then you hate someone just because of their deodorant choice. That's mean. Understandable, but mean. Article below...Malibu Musk mention...holla! Oh I thought it smelled soooo good and if I wore it I would be immediately 17 and in the passenger's seat of a red convertible, driving out of Connecticut and into Beverly Hills...(this can still happen right?)
----
"I was approximately 12 years old when my mother bought me my first stick of deodorant. She gave it to me right before I entered sixth grade, and it was, at the time, the most grown-up product I'd ever owned.

Looking back, I realize that my mother probably tossed a stick of deodorant my way because puberty had brought the joys of b.o. to my life and she didn't want me entering sixth grade as "that girl who stinks," but at the time I thought it was her way of acknowledging that I wasn't a little kid anymore; I was a lady, who needed lady things, you see, like deodorant and a training bra and face wash and such. It didn't matter that I had no breasts or zits to speak of: it was the ownership of these products, the physical reminders that I was entering the realm of the grown-up world, that really mattered.

In today's New York Times, Jan Hoffman explores the world of the youngest Axe deodorant wearers—tween boys—and notes that the deodorant really represents "masculinity in a can," a way for boys to assert their manhood through the smells their female classmates have come to associate with older men. It's not a new phenomenon by any means; when I was in middle school, the stench of Drakkar Noir, often swiped from an older brother's bedroom, wafted down the hallways, and for the most part, we all thought it was totally dreamy until we grew up to associate it with, well, those dudes who still wear Drakkar Noir.

It's easy to scorn Axe deodorant and it's dumbass depictions of masculinity—I do it nearly every weekend, for crying out loud—but there's one line in Hoffman's piece that really broke my heart: when asked by a teacher why he had to wear the scent, a junior high student replied: "I have to have it, Ms. G., because I don't have the money to dress the right way. This is all I can afford." As a can of Axe costs less than $10, it's a way for young men to fit in and give the girls something they supposedly like without breaking the bank.

One of my New Year's resolutions is to be kinder to teenagers: it's way too easy to mock them without taking the two seconds necessary to remember how terrible and scary and complicated life was at that age, not only because of the effects of puberty, but because adults are constantly pointing out how much you have to learn and how far you have to go without really giving you an opportunity to actually learn and or go before they start yelling at you for doing it wrong. My instant reaction to this article was to just write "Teenage Boys Attempt To Stop Smelling Bad By Smelling Worse," which is a bit jerky and rather unfair, and doesn't really take into account the fact that many of us, myself included, doused ourselves in Debbie Gibson-inspired perfumes in order to feel more grown up at the age when being a kid or being an adult both seem somehow impossible.

And though I do find the Axe-ification of masculinity to be troubling, I'd guess that most of these tweens will move past their deodorant obsessions as they mature. Probably. Maybe. Most of us have moved on from our days of Baby Soft and Electric Youth and Malibu Musk, no? I don't think every 11-year-old boy who Axe-ifies is instantly transformed into a misogynistic douche, just as I don't think every 11-year-old girl who puts on a bit of eyeshadow is booking a ticket to Tramp Town. Adolescence is a strange and smelly time: sometimes, you just want the assurance that whenever adulthood does arrive, you'll at least be somewhat prepared. And that you won't be "that girl who stinks." Thanks, Mom."

For Tween Boys, Masculinity In A Spray Can [NYTimes]

Sunday, January 24, 2010

The Best Craigslist Ad Ever

Sometimes I troll them when I'm bored, looking for free trampolines or drum-circle classes or knitting groups or used books for sale.

And sometimes I love to look at the "missed connections" site, not because I ever have any myself, but I hope to witness one happening someday. A boy looks at a girl. A girl smiles at boy. Their eyes meet, but the subway stops and one has to leave. It's so hard to meet someone, and now we have to deal with the effin 2/3 train.

And ladies and gentleman, I present to you the best Missed Connections Ad I've ever seen.

"You Heard Me Fart....m4w - 35 (North)"

Yesterday was the most embarassing day of my life. I am so ashamed.
I had no idea that you were sitting at your desk when I unleashed a nasty Taco Bell fart that I was holding back all day.
I just could not keep that dirty old man in my stomach any longer.
And to make matters worse I yelled out, " La Cucaracha !"

When I passed your cubicle and saw you sitting there, I died a thousand deaths. But you just kept reading.
How considerate.
When I had the courage to return, I noticed that two of the windows were open.

I have always thought that you were a hottie and dreamed of taking you out to dinner. But that will never happen now.
Now you know that I am just a slyme ball. A creature with no consideraion for people.

I was told that you called out today.
I hope you are well.


Ahahahhaha!

Monday, January 11, 2010

Corporate Awkwardness - Making Friends With The Cube Next Door

Hey friends, I'm back in a corporate office for the time being (look, the unemployment benefits runneth dry and ye old writerly jobs pay squat) and therefore subject to office culture and excel spreadsheets once more. Huh huh, I said "spread."

So for some reason I have the only non-creative job in a creative department, as I am filling in for my lovely friend who is out on maternity leave. Someone remind me to block her on facebook for this.

So the work is somehow both boring AND hard. I didn't think something could be capable of both things at once, but hey, here we are. Kind of like when Bart Simpson said he didn't think it was physically possible for something to simultaneously suck AND blow.

But, I sit next to the art department! And they are cool (of course, has anyone ever been in the art department of anything who wasn't totally hilarious and amazing?)! And I want to be friends with them because they blast songs like Eddie Murphy "Boogie In Your Butt" and sing along and have Christmas lights and sometimes include me in their jokes (it just happened as I was writing this) even though I don't yet know their names.

Anyway, I am trying to make friends with them. If you have a suggestion better than me going over there and asking if they want to be friends with me, I'd love to hear it. I'm only here for three months, I have to expedite bonding immediately!

Sunday, January 10, 2010

This Truth Is Making My Life As A Music Writer Quite Hard

Best summation about why one of my jobs is so impossible, made in the comments of Gawker:

"The best thing about the current state of "indie" is that starting about the time The Strokes and The White Stripes and all those bands hit the scene, the universe starting folding in on itself. It was no longer a scene of consisting of a handful of bands at any given moment. Suddenly they were popping up left and right on a weekly timetable. As pointed out above, "indie" means nothing anymore. Just about any genre of music you can imagine can be classified as such. And, best of all, the waves of backlash now come so quickly that you can't even tell if something is hip or if it's already passé before it even began. While this seems like a horrifying thing to happen, it's really the most liberating of all possible occurrences. It's harder and harder for people to define their "coolness" by the music they listen to because no matter who you like, somebody even cooler (or less cool?) than you will mock you for liking it. So now we're stuck with just listening to what we genuinely enjoy. Which is how it's supposed to be. And the timing couldn't be better. There are more interesting bands out there today than at any given moment in pop music history. If this were the 80's or the 90's I would probably be forced to love Vampire Weekend because there would really only be a few bands even remotely possible to like. But now there are hundreds. I can just admit I don't care about them much and move on, and know that there are so many fantastic options to try and always something new to explore. And Vampire Weekend will work for a lot of people, and I'm happy for those people."

Thursday, January 07, 2010

NSFW: Oh My God

The best part is the couple talking and dying of laughter.

Wednesday, January 06, 2010

On A Break-Up : Quote of the Year

"You want to stay? That’s staying out of convenience. Because if you stay, and for as long as you stay in this home, my home, then all the things you said will be just that. What you said. But when you leave, they will immediately become what you did. And you will have forever done it."

Tuesday, January 05, 2010

Aaaaand We're Back

A little jumbled static today.

Happy New Decade, and many days late! I will now be updating this blog much more because I have an office job in addition to my music jobs and book writing jobs and rainbow-kitten-catching jobs (an idiot can dream!).

See, the office begets blog-writing. That's when I was all over this thang (check my archives from 2006--they RULED). And blogs and gossip and music and websites are what I like to read while sipping overpriced Asian noodle soup on my lunch hour in front of this blasted screen (this is my treat, my trade for taking a full-time, temporary magazine job in Midtown. I will eat soup, and I will eat it A LOT. You know, I'm really seeing why old people like soup. I'm on the wrong side of twenty-five, three years on the wrong side of it (did you also think you'd be dead by now when you were teenaged and knew EVERYTHING there was to know?), and man oh man how it soothes my bones. I can see why oldies eat soup and toast and complain. Because it's awesome, that's why.)

So what's new with you, dear diary, dear readers? Unfulfilled January wishes? Me too!

Here's the listsicle, here's what I want/here's what's going on:

1. I want to talk to you about my relationships like besties, like we used to. No, not my professional relationships or my sense of self, the dirt with the boy(s). I have gone through some good ones in our time together, yours and mine. And while the greatest of you have never met me, ALL THOSE BOYS READ THIS BLOG. Damn them! The crushes, the heartbreakers, the heartbroken, they all know. So I'd like to talk about my hopes, and dreams, and fears and my insanely moody feelings about all of them, past and current, and yet I cannot. Time to bring back "Annabella," a conglomerate of girls and myself who I spoke of on ye old Almost Literary back in the Aughts. Anabella has some stories to tell, about international DJs and crazy tattoos, about her live-in perfect boyfriend, about her affair with an older celebrity, and she has some quotes of the day. Good ones. We will discuss.

2. I want an agent for my book. It's good, I swear. If you have an agent who is taking clients, or work in the lit biz and would like to read what I've got, please let me know and leave a comment here!

3. All of my friends have abandoned me. Okay, they've abandoned New York. I am making new ones and that means more girl date stories. Why don't they make an e-harmony for girlfriends?! I would pay dearly for this service. Yeah, I'd pay for friends, want to fight about it?

4. I am starting to be offered some full-time jobs (kinda, sorta). After cobbling together freelance work for over a year, I'm kind of into the working at midnight on Sunday routine. It also lets me keep taking my art classes. But until I hear about where I did and didn't get into schools in April (and if anything does or does not happen with my book until then, I also need money). Stay a free bum or a caged suit? I never really fit in with either...

I have more...but I will have to think...

Wednesday, December 23, 2009

The Last Essay I Ever Wrote For Applications

When you go do it like this, they know you're spent. 13 down, no more to go, sorry Columbia, for this:


Dear Columbia University

When I started my critical paper for entrance to your program, I began to cheat. I had in my possession a gently-worn copy of The Collected Stories of Amy Hempel. It’s edged in red and white, and still bears the purchase sticker from where I bought it (Borders on the Upper West Side, a steal at fifteen dollars plus tax). I adore it. But more, it was published in the past ten years, and in my genre—fiction! I told this to myself as I happily re-read on the lurching subway, fingering the pages, trying to be stoic when I felt the pangs her sentences invoked. I formulated grand plans. And then I re-read your clearly printed instructions on what we were to write.

Alas, the stories in the first three quarters of the book were not published in the last ten years, never mind written then, and so they could not count. What she wrote which I thought most spoke to me was what she wrote when she was my age, and I had a response to it all right. How she changed, and how she changed me. What it all meant. It would have made a great critical essay, in my mind.

But it’s The Dog of The Marriage that qualifies, and it is that which is pertinent to this essay, and now I realize, most pertinent to me. How to begin? With the depiction of rapes, the fear every day at being a woman, with the long shores of shuttered lake houses? With the seasons that followed, the dogs that arrived, with the husbands that left? There is endless departure, departures without permission, pervasive in her stories. Each loss flows lyrically into the next, as if each were a chapter in a well-crafted novel. A novel of loss—of love, life, youth, beauty, summer. There is sexual violence, both terrifying and thrilling. The narrator—whoever she is, Hempel, a collection of facets, her friends and my imagination—speaks the same language no matter where she arrives.

She is surrounded by people, by animals, by machines, and she is alone, with a trowel, in a man’s shirt. She is alone even in the arms of her lover as she invents a lifetime of sexual fantasies for a man who will not love in “Offertory.” She is alone as she watches the revolving door of suitors in her widowed father’s life, and when she and he argue, without words, on what time means in “The Afterlife.” She is alone as she dips the pregnancy wick into the crystal scotch glass as she recalls her favorite film and confuses who is the ghost in the movie and in her own life in “The Uninvited.” Sometimes she is irate when alone, as she is when penning the parking ticket rebuttal in “Reference #388475848-5.” Sometimes she is quiet when alone, when she remembers her mother’s death and looks upon her x-ray in the doctor’s office in “What Are The White Things?” She is on the wrong side of fifty at each moment alone. There are pets that nuzzle and boxed turtles that die on nets spread over strawberries, there are men who float in and those who she will not love. She is a competent driver, and she drives into and out of every situation, not a single one unfolds without her specific self-aware presence, and oftentimes, her actual car. She has the sensibility of a poet. There is a quiet suspension of disbelief here, those who are not the narrator speak in near-couplets (and she often turns a phrase on its head) and time is fluid—we never seem to start at the beginning. Often we’re at the end as in the title story, or in the middle in “Jesus is Waiting.” In “Memoir,” we begin nowhere, in void. And of course, that is precisely the point. Hempel may not have invented the mantra “every word counts,” but she is the gold standard in this collection. White space frightens some writers. Others must see the page the way a sculptor sees marble, and carve out from one block of it. If roughness, incompleteness remains, that is part of the whole. It’s tempting to point towards greater metaphor here, naturally, about life, but for respect for Hempel, and your time, I won’t try to make it. The Dog of The Marriage, however blunt, does not make me, the reader, scared of this inevitable time in a woman’s life. I sigh when reading it. Sometimes I want more than anything to be old and full of stories, which is a strange thing perhaps. Something that is rare, and that this work does.

As for how she does it, I understand that is the point of a proper critical essay. Also, not to use “I”. I was taught the critical essay should read, “The writer’s purpose is to do X through Y and accomplishes it using Z. Here are the number of ways in which it is done. Here is the symbolism. Here is God. Here is greed.” But, when speaking of Hempel, how can one do this in an ordinary way? In Rick Moody’s introduction he asserts, “Who gives a shit how long the book takes,” and now, here I am, cursing in my essay. It’s entirely wrong. But it is my response, my honest one. Hempel writes tightly—her characters are so compelling it’s as if the words aren’t even there, and yet, it’s all about the words, too. The sentences, as Moody says. She repeats, how she repeats so many things! And yet, it’s all over in a flash, a novel in stories, and it was short and it was all about longing. It was masterful, and it was heartbreaking. I had the idea that while writing this I’d somehow emulate her style. I’d write, critiquing Amy Hempel is like…and I would say something multi-layered and clever and just end there. Without the summation in words. But she does what I cannot. I don’t know how she does it. I realize that she does, and I see where and when. How to do it myself, I hope to learn in your program. So I’ll end my response with her words. The last in the collection, on the last page. “Unimprovable,” he says.

If only the same could be said for this essay.

Friday, December 18, 2009

BEST SONG EVER



Insanely hilariously good video re-posted by the good folks at You Ain't No Picasso.

To wit: 'I said it on twitter and I’ll say it here: if this had come out this year, I’d pick it for song of the year.

Boing Boing posted this video of a song written by an Italian composer in a gibberish language that is his imitation of what he thought English sounded like. It’s a great 70s funk track that incorporates killer riffs, great dance moves and manages to answer the old question “what does English sound like to foreigners?”'

Thursday, December 17, 2009

What I will prepare for Christmas Lunch



As I am lady this year (damnit!) I am cooking for the family and will be making a filet of beef (slice it up to get the mignon) with gorgonzola cream sauce. Roasted rosemary potato wedge fries and roasted cherry tomatoes. Thinking about the balsamic onions too. But the whole thing is so damn pricey!

Asking the boy to pick up a Venerio's cheesecake and Mom and Pop to bring the wine. What to serve as bar snacks as I'm preparing? Olives in orange juice? Spiced nuts? I made a pretty great trail mix for a company party last week consisting of white chocolate chips, cranberries, chopped walnuts, almonds and milk chocolate chips. It was a big hit, but we all ended up eating that instead of some amazing baked brie in pastry, homemade butternut squash lasagna, artichoke and olive pasta salad, some incredible rillettes, and all sorts of pate (which I will no longer eat after reading a few articles). Sadly, I might give up duck as well. I love their quacking too much.

Details on the other party I went to, at the gorgeous home of the nicest editor of the best food magazine still on the market (lush mac and cheese, sliced pork, cranberry mayo) to come. As well as how this endeavor, courtesy of Goddess Ina Garten to come...

Saturday, December 12, 2009

Grinchin' It

So it's cold, work goes late, you're skipping the gym, and every holiday party is designed to cram as much duckfat and sub-par Shiraz into your gullet as possible.

I'm trying to take this weekend, this freezing cold weekend, and make some hot chocolate and put some presents under the first tree I've ever had on my own! Okay, the boy brought it in, but it was me who reached my scrawny arms into the thick of the needles to wrap the lights as he looked onward with a dim realization that if he stood there long enough doing it shoddily I would do it myself, it was me who broke the borrowed ornaments and then stepped on shards of purple glass with my idiotic barefeet, me who turned the temperature up to 80 degrees despite how much I'll pay for the bill because in my parent's house you have to wear a coat at all times or risk death (my father, upon hearing even the rush of air from my brother turning the thermostat up from 60--yes SIXTY degrees at night--to 62 has roused him from his bed to chastise us) because I wanted to decorate the tree in a warm room, me who lopsidedly hung the beads and me who climbed on top of a chair nearly falling into the tree to top it with the star. Yes, I am an adult! Sort of.

And now the invites pour in. For this concert and this party and this literary event. All fabulous, and I am almost fabulous enough to deserve to be invited (so the invites state). But it is COLD. And there are too many! And I am a brat to complain of being invited. And I get a little egg nog in me and I start telling everyone they're not the boss of me. And then no one gets the joke.* And the fabulous invites don't come in April. There is no blow out bash, no spreading of cheer. That's when I want to be popular. April! Not now, not December, when my face is all red and my hair is all blown from the wind, when I've been ingesting nothing all day just to take three, count 'em, three miniburgers from The Standard at the last literary event I attended (a BBC documentary on the real Mad Men). And three glasses of champagne. That's how I roll these days. Adult, maybe. Tasteful, not on your life.

Friends, I will have holiday cheer as soon as I get rid of one or two of my jobs to pay for the holiday cheer I have to spread. As soon as I figure out how to make this interview I did on spec with this adorable musician who has no hook into a story, as soon as I turn down the heat in here to 60 and put on my coat to sit on my couch and look at my tree with no presents underneath. As soon as I complete four more applications. I have done nine. I have four more. I have cheer. It is coming.

I hope you are spreading some and can wrap yourselves in enough to go get some brunch, go to a museum, get thee to yoga, because that's what I want for Christmas, as soon as I can.


*To all the funny people out there, don't you hate it when other people don't think you're funny? You are! This is what I must cling to. Give me this lie and nothing else and I will be happy.

Thursday, December 03, 2009

Kittens bring Joy, another application bites the dust

AH! I cannot get enough of this!



Also sent in UT-Austin today, that's 4 down, and maybe NYU will be done this week too (here's hoping) and San Fran State after...but if I get them all done by Monday, that will be a miracle, and the only way to keep on track...

Monday, November 30, 2009

One Holiday and Three Applications Down

The turkey, parsnip puree and cranberry mojitos were flowing but it all passed in a joyful blur for me as I arrived bedraggled and zombie-d out, hair a mess, sweater covered in lint, my jeans sagging and my posture slumped. When I got to Connecticut to join in on the holiday festivities (which were marvelous but it took me the entire time to unhunch my shoulders), I had just completed a killer week, ending with the fact that I had essentially completed three applications for grad school! Provided that they weren't lost in the mail (my greatest fear) or that I wrote across the front "BOOGER" in my complete-the-application madness.

But still...

Three down! Only NINE more to go! But the first ones are the hardest ones--now my personal statement is as perfect as it's going to get, and my essays are all sketched out (except for one for Columbia that I can see myself completing badly at the last minute). The writing sample itself, which is 90% of the application's worth (so I hear) will not change another line, word or even comma. If it does, I might just die.

So I sent in the completed MFA and or Fellowship applications to:

UC-San Diego
UC-Irvine
and Stanford--which I looked at one last time AFTER I handed it in and saw a typo on the personal statement. Noooo! Can't change it now. All are due tomorrow so they were done last week. Next round is due December 15th, but I hope to have a few due beyond that out by then.

In the meantime I will be squirreling away in the recesses of my cozy apartment and using the cubes at work to furiously download PDFs on a faster computer than my own (after work hours of course!) and if all goes well, I will submit three applications per week until the week of Christmas. Then I will be done. And on to perfecting my query letter and getting my completed novel out there, starting a new but pretty hard temporary magazine job, and continuing my music writing. Oh, and writing that new book too. *Sigh*

Are you a person who needs to be busy or feels like you are wasting your life? I am. Sometimes it's fun, but on a rainy day like today it's a little exhausting. Perhaps it's that leftover turkey, or perhaps because I had two assignments due over the weekend so have not officially taken a day completely off from work in months, or that I'm working on my next round of applications now, but I am sleepy and wish for my cloud-like bed and a cup of cocoa instead of this lukewarm bitter coffee and piles upon piles of paper.

Sending good vibes out to you on this Monday, hoping to get some back. Boy, do I need it!

Monday, November 23, 2009

I laughed aloud while reading this

On Gawker today, on the endless and boorish topic that New York is over. Don't only over the hill people say that about cities? Because New York in the 70s wasn't cooler per se, it was cool to you because you were 20 and everything was interesting to you? And everything is cool when you are 20 and over when you are 50? Including cities? The world wasn't better then, you were just more excited about it! When you stop getting excited about it, you have to start thinking that it's not the world that is so different, but it's you, you who does not stay out until 4 AM, you who does not blow off your job to follow your favorite band, you who are not going on a wild roadtrip with a band of merry pranksters and artists?

Anyway, the article in its entirety, courtesy of Foster Kamer. I was laughing and cringing. Are we really arguing about our cities now?
---------

Oh, hello there, Stephanie Marsh of the Sunday Times. When you write an essay called "New York has lost its edge," and you live here, it's okay. When you're writing from London...

The question presents itself: What the shit do you think you're talking about, lady?

Her two big examples are the John Varvatos store at CBGBs, and the Whole Foods on the Bowery (which is the articles kicker). Great. She mentioned two places within three blocks from one another. Yeah, it sucks that CBGBs is dead, but that place sucked when it was dying and hey, at least Varvatos kept some of the original walls. It could be another Chase Bank, but, whatever.

Here's her thesis:

"The problem for those who would like to see a return in New York to its edgy past is that Manhattan, as more than one New York-based blogger has claimed, is still "a gated community for the rich". The cultural critic Julian Brash has complained that under Bloomberg the citizens of New York have been turned into consumers - it is a place where everything is about what can be bought and what can be sold."

Okay, fine. Manhattan's really expensive, blah blah blah. Bankers run everything, blah blah blah. Everything in New York can be bought. And? This city was built by hyper-capitalists, it's why there's so much goddamn money here. Old hat. Certain things about New York absolutely suck and will always keep sucking worse and worse. And let's get one thing straight: people have been saying things about New York sucking for as long as New York's been around. If you read Monocle magazine, which this essay is basically ripped out of, this is like, every issue. This has long been the party line of travel press types—especially ones from abroad—for at least three years. I mean, if you really want to go back, I believe Rolling Stone called New York the Hot Dead Zone in their inaugural Hot List issue. In 1998. Saying New York is no longer edgy hasn't been edgy in forever.

The sequel to this piece is when she inevitably says that Berlin is starting to get really, really hip these days too. Pretty much anybody who went through Ellis Island and didn't stay probably had some sentiment along the lines of "this place sucks." According to the Daily News, one of our presidents basically told us to stick this city up our collective asses (look where he is, now: dead).

But—and I'm sure others have their reasons—I live here because, quite frankly (A) there's still nowhere else in America like it, and like many other people here, I have some sick/awesome compulsion that makes this grind of living here that much more attractive to me than anywhere else and (B) it's still got better stuff than everywhere else in America. Yeah, fuckin' stuff. Awesome stuff.

Now.

Can we quickly go over the reasons London—a nice city, sure—sucks compared to New York? Great:

* Your food sucks. It all tastes like ass until American chefs take two months to do better what you've spent hundreds of years sucking at.

* The service in your restaurants sucks, because you have to instruct people how to tip by putting a mandatory charge on their tab, like many other countries that do this. Which is the wrong way of doing this, which is why every server you will every have in London will probably be an asshole.

* Your theater sucks. War Horse—no, really, War Horse—is the best thing you have up right now. Anything good you have on the West End came from us. And don't bring up fucking Billy Elliot.

* Your nightlife is just stupid. Pubs close at 11, our bars don't close until four. Who goes to bed at 11? Are you serious? So you guys open up clubs that close at 2AM that have two kinds of people in them: the kind who get unceremoniously drunk and piss on everything, or the places Prince Harry goes. And who wants to go there? Also, you only play American music. You think Kings of Leon are the Second Coming of Christ. The Kings of Leon play our bar mitzvahs, goddamnit. By the way: most of those rappers you guys play on repeat (and not even the good ones...50 Cent?!) still live in New York. Our clubs and nightlife might have their issues, but they blow yours out of the water. You guys wouldn't know what to do with The Beatrice Inn if it crawled up your nose in a $100 bill.

* Nobody knows where anything is in London. Seriously. It's like the worst parts of the West Village for an entire city. Everything is higgly-piggly or whatever dumb word you have for it. We live on a grid. A grid. You guys have the dumbest civic planning this side of kids eating Legos.

* OH. Don't get me wrong. Our subways suck, for sure. But at least they're supposed to work after midnight, and don't cost half our income to ride. Also, an Oystercard? That just sounds stupid. Who's running your design schemes, Lewis Carroll? Stupid. Oh, and, you wanna talk about EDGY? How about our D-Trains getting stabby again, edgy? Exactly.

* You guys have never had a nice day of weather in the history of the universe. Seriously. The only person Madonna has to compete with for causing a scene is the fucking sun. It's yellow, it's in the sky, sometimes, it...nevermind. Have you even been here in September? It's like Central Park is trying to get in your pants and get you off, the weather's so goddamned nice.

* Oh, and the pound is stupid-expensive. Like everything else in your city.

* Your tabloid newspapers make the New York Post look like The Paris Review.

* And Whole Foods on the Bowery, sure, Whole Foods sucks. But it's in a pretty great location, and, fuck that, you know what sucks worse? Sainsbury's. Sainsbury's suuuuuuuucks. Which goes back to your food sucking.

* Do you have Brooklyn? Do you even know what a Brooklyn is? No, not David Beckham's son. You're stupid, shut up. [Quiet Moment: The article didn't mention Brooklyn once, but didn't refer to Manhattan exclusively. Go figure.]

* London's celebrities are all on Big Brother and fucking suck. They're mouthbreathing idiots. They make Tinsley Mortimer look like Jackie Kennedy.

* You guys have soccer—yeah, I called it soccer, goddamnit—teams. Multiple ones. Great. We have two baseball teams (including the 2009 World Series Champions), football teams (Including the 2008 Super Bowl Champions), hockey teams (I'm sure they Won Something Great recently), and a basketball team. All of them except for the Knicks could smash every London soccer player. Nothing else, just "smash" them.

* There is one—and only one—good song about Foggy London Town. There are as many songs about New York as there are New Yorkers, and most of them are awesome.

Anything else? Oh, yeah, did Samuel Motherfucking Jackson just buy an apartment next to your boss? No? Exactly.

Shut up. New York is awesome.

Send an email to Foster Kamer, the author of this post, at foster@gawker.com.

Monday, November 16, 2009

Baby Shower-- Your advice!

Dear readers, I am throwing yet another baby shower! And I sadly have to admit, this time, now that I've done it before and am organizing it in my city instead of Philadelphia, I'm doing a much better job. I'm on the phone with the baker, the tea staff, the party staff, I'm on top of invoices and meetings. It's going to be a good time for those who had nothing to do with organizing it!

This one is in Alice's Tea Cup in the Upper East Side. Everyone will be getting the Mad Hatter tea service with sandwiches, scones, and luscious baked goods. I have sent the invites, sent all the shower registry information, fielded questions and those who want to drop out, drop in, called guests to talk them out of bringing their own food.

It's close.

I've pre-paid for mint green and white latex balloons, handpainted royal-frosted monogrammed cookies and sashays of specialty teas for the guests, and a mint-green chocolate ganache cake (why are cakes the most expensive things ever!). I have also picked up a beautiful baby book for all the guests to sign, and have emailed them to check in with me to sign as soon as they arrive, and also to bring one crazy looking gift bow so that we may trashily deck out the baby book box while keeping everything else an elegant affair.

The mom-to-be will NOT wear a silly hat or play games. Any other suggestions on what I can do/bring/ask others to bring? Any ideas on something fun? Or lay back and just let it happen (remember here, I am now nearly broke after all this, even though I'm having lots of help paying for the space and the party itself, as I keep adding on extras).

And the sleaziest question yet...should I buy an additional gift? I do have the baby book which I bought, but everything else is a surprise or edible or really only is a gift to the party. The last shower I threw I brought an expensive gift that I spent a lot of time thinking about and hauled it to Philadelphia from Austin (where I bought it). But this time...I don't know if I can do that? Is there something with baby showers the same thing with weddings that I have a year to give it ;)

Tuesday, November 10, 2009

Remembering: Night Habits

Things only people who have seen me in my underwear know.*

I like the room freezing cold. Air-blasting, fetal-position-inducing, take-all-the-blanket-fighting, freezing cold. And lots of quilts on the bed. It reminds me of my artic 19th century childhood home in which you seriously had to decide whether a trip to the bathroom in January was worth the likely possibility that, upon touching your toe to the old pine boards, your veins would turn to ice and you’d shatter into a million pieces. Compounded by my father, whose vehement insistence of responsible consumerism I imagine will surely, upon his deathbed, possess him to reach out a hand, pull me close and whisper, “I pass my legacy to you. Promise me you will not let your mother turn the thermostat past 61 degrees in the winter. Promise me this! Oil is too expensive! God damnit!”

I sleep in dresses. Dresses that I wear nowhere else but in bed. Hey, I’d walk around work in a penoir if I could (that’s a dressing robe which is explicitly meant for combing your hair in).

I write to blasting music. Like techno. Or obscene rap. It is really weird.

My friends that are boys in the neighborhood sometimes come say hi at night when I’m writing. And my doorman thinks because of this, I am running a low-class one-woman prostitution ring in a headband and yoga pants.

I dance to no music in the kitchen. And do a lot of jumping.

I wake up early sometimes and am mad about it. I want to sleep longer but sometimes am too anxious or on deadline to.

I get a little crazy right before sleep. Like all riled up and giggly, like if you threw a tennis ball at a dog and jangled your keys and shouted, “Wanna go to the park? Huh? Wanna go to the park!” riled up and giggly.

There is a green wooden armadillo hanging upside down on the ceiling in my room and a million sketches.

I don’t know how to be lonely any more.

Sometimes I wait for people to get home and it makes me happy to see them. Yes, again like a dog.

I could spend the day in bed if I have a really good book.

I have a lot of wacky ideas and half the time I actually do them. This led to me applying to grad school in Hawaii, backpacking through Australia, writing a book, and saying very inappropriate things to upper management with the thought that I’ll be liberally excused because I am a “creative”. Note: “creative” is just a euphemism for “quirkily unprofessional” at best and “not quite all there” at worst.

I am always thirsty but I hardly ever drink anything.

There is someone in my phone listed as "Not Sure."

I think being interesting is a gift and one day I hope to have it. For now I’m okay with being interested.

I think I feel alive and amazed more than is the norm. Like the wind will blow someone’s hair into a pattern and I’ll stop or I will think about the domestication of animals and think, whoa, who was the first person to see a horse and be like, you know what, I’m gonna jump on that thing’s back, what the hell. Let alone a camel! Or that if an alien landed on this planet and saw an elephant, it would freak the hell out and fly away…


* That includes my roommates, mom and best friend, and anyone else who has seen me sleep or woken me up.

Monday, November 09, 2009

Quote of the Day

Music editor #1: Did you read that sure-to-be-obnoxious piece in NY Mag about Brooklyn music called...'Brooklyn Calling?'

Music editor #2: I tried...but I had to keep stopping.

Music editor #1: Why's that?

Music editor #2: Well, the problem wasn't that I kept rolling my eyes, it was when I brought them back down to the page, I'd invariably keep losing my place.

What came first: The Book or the MFA?

Story Editor is done reading the book, and has given me her notes, and they (and she) are amazing! They are all super-positive and wonderful and really insightful, and it's really cool to see what complicated ideas I've pulled off and which ones have...well, thrown me off.

She has pointed out what I've known all along, the first chapter needs to be different. The good thing is that I have all the first chapter material just chopped up in the current first chapter and framed differently. So it's a rewrite of the first 25 pages or so, which at one point in my life seemed like such a long and difficult thing to do (oh the days of 15 page papers, I would take you back in a second!), but now is no problem. If only I could get my priorities straight...whip the book into final perfection (it's SO CLOSE) and get it to the agents...or work on my MFA applications, which also have due dates, and their own considerations.

So paralyzed was I by which one to focus on, that today I did the unthinkable, and instead focused on work for money (boo, hiss!) and then skipped the gym (double hiss! but I'm still sore from Friday's killer workout). Bad dog.

But tomorrow I will have a sit-down about my personal statement, and the good Samaritan who is looking over my writing samples with fresh eyes to ensure I didn't write "COCK" in huge letters on it somewhere (hmmm...maybe I should do that anyway, and call it "experimental writing" and send it to Brown..zing!) And if this good Samaritan has done what he was asked not to, which is to say anything about making it longer or shorter after I crafted every single word so that it fit the maximum length of the minimum requirement for every single school (this was so hard), I will rise our of the ashes and fly screaming for the blood of his young. If not, he gets a card. (Do the right one, Dave!)

Anyway, going a little insane over here. That's a good thing for "creatives", right? RIGHT?

Thursday, November 05, 2009

Babies, more and more babies



Not mine!

Check out Theo, he is the newest baby friend of mine. I'm not a freak! These are my friends' babies. Theo updates his blog more often than I do (courtesy of my bf from high school, Selly).

Wednesday, November 04, 2009

The Editor's Note: Quote of the Day

The line-editing is just about done, and now the story/character/big-picture editor is looking at the book.

She usually takes three weeks (which is incredibly fast) and said so for my 331 page novel. But now that she's reading it, I'm different. She got it last Friday, and she thinks she'll be done next Monday. That's just over a week! I'm tearing my hair out (she is an award-winning novelist and is always right on point) in anticipation of her notes.

But then...she emailed me a quick update and it was this:

"Just so you know, I'm reading and it's wonderful."

Be still my beating heart...

Let's not get too excited yet, she's still got over 200 pages to go...but if she likes that, then I'll make tweaks with her suggestion, and then...actually start submitting it to agents. My God!

Wednesday, October 28, 2009

8 Simple Rules for Helping Me With My Applications

8. Don't say that my writing sample is "too smart" and you "don't get it" to get out of talking about my writing sample because it's actually boring. I wasn't born yesterday! (Offender: Boyfriend. -5 points)

7. Don't ask why I'm applying to schools. I don't know anymore, and I have too many things due to have to explain it again, and yes I know that you can be a writer without this degree, but I'm into it deep. And I still want to be a better writer, hence I want the degree. So have a heart and shut it! (Offender: Old Boss. -10 points)

6. Do say I'll get through it...somehow. It's nice, it's not too aspirational, and it's just inevitable. (Angel: Best Friend. + 20 points)

5. Do offer to make a big cup of green tea when I'm surrounded by papers and broken ink cartridges at 11 at night on a Friday as I stay in to edit while you get to go out drinking. (Angel: Boyfriend. +10 points)

4. Don't remind me that I did this once and failed miserably, only getting into mediocre programs. (Offender: Self. -5 points)

3. Do be amazing and think every stupid idea I have is worthwhile, like this one. (Angels: Mom and Dad +100 points)

2. Don't interrupt me every five minutes with an email about a lost detergent cap in the laundry room. I'm trying to work here! (Offender: Landlord. -15 points)

1. Don't give up on me. (Angels: maybe you guys? +100 points)

Monday, October 26, 2009

Things I want to talk about now that I live alone

Well I live alone, without any girls now. It's great! I watch what I want to watch, have my slovenly boyfriend over all the time, cook whatever I like, clean obsessively but let books and papers pile up as I write and rewrite and plan other friends' baby showers...

But I never had sisters. And I was always jealous of those who had. And my best girlfriends now all live in other cities. And well, sometimes you just need another girl to bounce an idea off of, or else you're crazy.

Here's what I want to say to the girls, wherever they may be, on this blog, in my mind, wherever you are!

1. How often do I really have to have a pedicure in the wintertime? It's been over a month...and I feel like I can go longer. This feeling is unsubstantiated now that I am alone most of the time.

2. Is it OK for me to watch Jon and Kate plus 8? I am strangely drawn to it. Please help.

3. What can I make for dinner on Sunday nights instead of ordering? I love to cook, I just hate to shop for cooking. Buying a chicken breast and lemons and herbs and then salad greens? Ugh, all I want is Thai! Also do I have to eat organically? I like Gatorade.

4. What websites are good these days? Gawker is getting a little...and Jezebel is also kind of...you know.

5. I'm kind of done with Oprah magazine. Used to love it, but now I don't. What can I read that is part trash, part stimulating?

6. Is it okay that I don't want to have a baby yet? Or even a pet? That I like to come home and have everything left just the way it was, even though I'm...gasp...twenty eight?

7. Is it okay to be twenty-eight and not even thinking seriously about getting married until I get my book published, which might be NEVER?

That's it! All I had to do was ask, and I feel better. Also, should I take back up knitting, where can I get the best sportsbra, I hate earrings again, I'm not interested in Halloween this year, I wear the same three dresses all weekend long and I don't want to change, and I'm applying to school and am scared I won't get in anywhere or worse, get in and not get funding.

That feels better, okay, back to work.

Wednesday, October 14, 2009

You've got to be kidding


This is what it's come to. My brother leaves the nest for college and my parents go and buy the smallest dog they can find. Trading one animal for another! Hey, it's pretty cute.

Thursday, October 08, 2009

Gourmet is Dead...and so I'm eating Ego Waffles.

Gourmet's been dead since Monday and the slew of internet opinions on the subject have been a lot of fun to read. Today my favorite is this one, and I encourage you to go read it while I try to write a personal statement*.

*How does anyone write these things without sounding like a total self-centered jerk? Anyway, I work for a food magazine (sometimes) and the Gourmet news is HUGE to us so that's all I can really think about, so let's see how this whole personal statement thing shakes out.

Here's my favorite comment from the reader section:

"I love Cook's Illustrated, and I have begrudging respect for Christopher Kimball (I always deduct points for bowties unless you're Chuck Bass). And while I agree that the Internet has created a whole new class of pseudo experts -- which kind of makes me wish I hadn't closed down my blog for fear that I was a fraud -- I think he's willfully ignoring the good things that have resulted from this tiny revolution.

The web, along with the countless home-cook shows that have sprung up on cable channels, has demystified and de-elited the world of cooking for many of us. A lot of people don't take risks and don't try to advance their skills in the kitchen because of low self-confidence and the fear that some obnoxious chef will swoop in and declare that they will never be chefs, only mere cooks. I won't bother defending Rachael Ray's personality or credentials, but Anthony Bourdain's dismissal of her left a sour taste in my mouth because it wasn't just a cruel thing to say, it was a dig at all of us who love food but for any number of reasons haven't received formal training. (Incidentally, it's why I adore Mark Bittman and Julia Child. No pretensions and no "beginners need not apply" declarations; only real love for food and cooking.)

I've learned how to truss a chicken, deglaze a pan, make flavorful sauces, roast a rib-eye to perfection and make compound butter because of no-name food bloggers. Those tasks are all actually quite easy, but what learning how to do them did for me was to give me the confidence to adjust recipes as I cooked, come up with my own ideas and serve my creations without the nervous disclaimers that usually accompanied even the most basic meals I used to make.

Gourmet was a beautiful magazine, one I read cover to cover for the past few years. But like Vogue, it was only a practical resource for the wealthy and cultured. For everyone else, it was pure fantasy: Isn't that beautiful? I want a farmhouse so I can serve a six-course meal to 10 people and we can all wear handknitted sweaters and drink brandy out of snifters while someone plays a mandolin. Maybe one day I'll be able to afford truffle oil and specialty herbs and those adorable organic baby vegetables and handcrafted cheese instead of whatever's on sale at the grocery store.

I'm not saying there isn't a place for that, or that people with the resources and time to craft such elegant meals don't deserve to have a publication that serves their needs. But if there were actually as many people like that as Conde Nast thought there were, Gourmet wouldn't have gone out of business."