Pardon me, I've been away,
Where exactly I can't quite say,
Burning bridges, Just about
Stamping career embers out....
Yes, about that. So there comes a time in every youngish-getting-old-as-hell writer's life when he/she is faced with a job opportunity which would essentially be managing person on a very large editing project but that is not offered full-time, nor permanent and would interfere with other projects that writer has going, so she has to turn it down. Fine.
But does that very same youngish-getting old as hell writer have to take an artistic integrity stand on another little project, one with a magazine she actually loves and hardly ever gets work from?
Because she spent so much time crafting a *fair and subtly balanced profile that was oh so nuanced (hey, we all think we're geniuses--zing!)* that after a revision became something she wasn't so happy to put her name on (PS Yes, said writer knows that she is an absolute nobody and does not have clout to flex) ?
With a bulleted email, no less, because the edit doesn't do the subject matter justice even though said writer kinda disliked the thing said writer was profiling? Bulleted in such a way so that the incensed email pointed out where the new director had not only substantive errors, but stylistic? Did said writer have to point out to editor, and by proxy, new director where they had made grammatical, fact-checking, and, by God, punctuation errors just to make a point?
In this economy, with this writer, the answer is yes. In the words of Homer Simpson, "I wish, I wish, I hadn't killed that fish."
SH*T. Guess I'm not getting hired there anymore. Hey, at least I fought the power...right? Right. Back to the children's book, which by the way is going swimmingly...no seriously, it's pretty awesome.